Mahan Esfahani (c) Bernhard Musil DG

Advance sale of tickets begins 01.07.19

Big subscription
Small subscription B
FXR subscription

On 23. Jun 20 live on the internet

GoPlus

subscription 12

NAKED | Works of Bach, Srnka and Bruckner
  • 21.06.2020 Sunday 11:00 h, Kölner Philharmonie
  • 22.06.2020 Monday 20:00 h, Kölner Philharmonie
  • 23.06.2020 Tuesday 20:00 h, Kölner Philharmonie

Johann Sebastian Bach Brandenburg Concerto no. 3 G major (1721)
Miroslav Srnka New work for harpsichord and orchestra. World premiere. Commissioned by Gürzenich-Orchester Köln.
Anton Bruckner Symphony no. 1 C minor »Linz version« (1865/66)

Mahan Esfahani Harpsichord
Gürzenich-Orchester Köln
François-Xavier Roth Conductor

Being right at the outset—and yet already ahead of his time. In his 1stSymphony Anton Bruckner pushes far forward into the future. Its first movement begins like a symphony Mahler could have written, and quickly arrives at phrases in which we recognise the later Bruckner. The uninhibited Linz first draft introduces—fresh as the morning dew—the self-discovery of the 40-year-old—a cathedral organist on whom Wagner’s music bestowed the gift of boundlessness. The forms that Bruckner found for that correspond with building blocks, like those his organist colleague Bach organises in the 3rd Brandenburg Concerto. The harpsichord—only an “accompanying instrument” in Bach—comes to the fore in Miroslav Srnka’s new piece. He has written it for a soloist “whose music making and very being resonates just as much the pieces he plays”, says Srnka. What location could be more suited for the premiere than Cologne’s Philharmonic hall, in which Esfahani experienced a genuine “scandalous concert” in 2016? A concert about the not yet fulfilled in what has past, a promise for the future.